{"id":521,"date":"2013-12-04T20:54:19","date_gmt":"2013-12-04T18:54:19","guid":{"rendered":"http:\/\/www.g-culture.org\/ioannis\/?p=521"},"modified":"2026-01-18T21:46:46","modified_gmt":"2026-01-18T19:46:46","slug":"secmodeth","status":"publish","type":"post","link":"https:\/\/www.g-culture.org\/ioannis\/secmodeth\/","title":{"rendered":"\u0394\u03b5\u03cd\u03c4\u03b5\u03c1\u03bf\u03c2 \u03ae\u03c7\u03bf\u03c2: \u0398\u03ad\u03c3\u03b5\u03b9\u03c2"},"content":{"rendered":"<p>\u03a4\u03bf \u03c3\u03c5\u03b3\u03ba\u03b5\u03ba\u03c1\u03b9\u03bc\u03ad\u03bd\u03bf post \u03c0\u03b5\u03c1\u03b9\u03bb\u03b1\u03bc\u03b2\u03ac\u03bd\u03b5\u03b9 \u03c3\u03b7\u03bc\u03b5\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u03ae\u03c2 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2. \u03a0\u03b1\u03c1\u03bf\u03c5\u03c3\u03b9\u03ac\u03b6\u03b5\u03b9 \u03b2\u03b1\u03c3\u03b9\u03ba\u03ad\u03c2 \u03b8\u03ad\u03c3\u03b5\u03b9\u03c2 \u03c4\u03bf\u03c5 \u0394\u03b5\u03c5\u03c4\u03ad\u03c1\u03bf\u03c5 \u0389\u03c7\u03bf\u03c5 \u03ba\u03b1\u03b9 \u03bc\u03c0\u03bf\u03c1\u03b5\u03af \u03bd\u03b1 \u03c7\u03c1\u03b7\u03c3\u03b9\u03bc\u03bf\u03c0\u03bf\u03b9\u03b7\u03b8\u03b5\u03af \u03c9\u03c2 \u03c5\u03bb\u03b9\u03ba\u03cc \u03b3\u03b9\u03b1 \u03c0\u03b1\u03c1\u03b1\u03bb\u03bb\u03b1\u03b3\u03ae \u03c3\u03c4\u03bf\u03bd \u0394\u03b5\u03cd\u03c4\u03b5\u03c1\u03bf \u0389\u03c7\u03bf. \u0397 \u03c0\u03b1\u03c1\u03bf\u03c5\u03c3\u03af\u03b1\u03c3\u03b7 \u03b2\u03b1\u03c3\u03af\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c3\u03c4\u03b7\u03bd \u03c0\u03c1\u03ac\u03be\u03b7 \u03c4\u03b7\u03c2 \u03c0\u03b1\u03c1\u03b1\u03c3\u03b7\u03bc\u03b1\u03bd\u03c4\u03b9\u03ba\u03ae\u03c2 \u03ba\u03b1\u03b9 \u03b1\u03c0\u03b5\u03c5\u03b8\u03cd\u03bd\u03b5\u03c4\u03b1\u03b9 \u03c3\u03b5 \u03c3\u03c0\u03bf\u03c5\u03b4\u03b1\u03c3\u03c4\u03ad\u03c2 \u03c4\u03b7\u03c2 \u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u03ae\u03c2 \u03c8\u03b1\u03bb\u03c4\u03b9\u03ba\u03ae\u03c2.<\/p>\n<p>This post includes Byzantine musical notation. It presents basic th\u00e9seis of the Second Mode and can be used as material for melodic variation in the Second Mode. The presentation is based on the practical use of Byzantine musical notation and is intended for students of Byzantine chant.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.g-culture.org\/ioannis\/wp-content\/uploads\/2013\/12\/deuterosThesseis.pdf\">\u0394\u03b5\u03cd\u03c4\u03b5\u03c1\u03bf\u03c2 \u03ae\u03c7\u03bf\u03c2 \u0398\u03ad\u03c3\u03b5\u03b9\u03c2<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u03a4\u03bf \u03c3\u03c5\u03b3\u03ba\u03b5\u03ba\u03c1\u03b9\u03bc\u03ad\u03bd\u03bf post \u03c0\u03b5\u03c1\u03b9\u03bb\u03b1\u03bc\u03b2\u03ac\u03bd\u03b5\u03b9 \u03c3\u03b7\u03bc\u03b5\u03b9\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u03ae\u03c2 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2. \u03a0\u03b1\u03c1\u03bf\u03c5\u03c3\u03b9\u03ac\u03b6\u03b5\u03b9 \u03b2\u03b1\u03c3\u03b9\u03ba\u03ad\u03c2 \u03b8\u03ad\u03c3\u03b5\u03b9\u03c2 \u03c4\u03bf\u03c5 \u0394\u03b5\u03c5\u03c4\u03ad\u03c1\u03bf\u03c5 \u0389\u03c7\u03bf\u03c5 \u03ba\u03b1\u03b9 \u03bc\u03c0\u03bf\u03c1\u03b5\u03af \u03bd\u03b1 \u03c7\u03c1\u03b7\u03c3\u03b9\u03bc\u03bf\u03c0\u03bf\u03b9\u03b7\u03b8\u03b5\u03af \u03c9\u03c2 \u03c5\u03bb\u03b9\u03ba\u03cc \u03b3\u03b9\u03b1 \u03c0\u03b1\u03c1\u03b1\u03bb\u03bb\u03b1\u03b3\u03ae \u03c3\u03c4\u03bf\u03bd \u0394\u03b5\u03cd\u03c4\u03b5\u03c1\u03bf \u0389\u03c7\u03bf. \u0397 \u03c0\u03b1\u03c1\u03bf\u03c5\u03c3\u03af\u03b1\u03c3\u03b7 \u03b2\u03b1\u03c3\u03af\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c3\u03c4\u03b7\u03bd \u03c0\u03c1\u03ac\u03be\u03b7 \u03c4\u03b7\u03c2 \u03c0\u03b1\u03c1\u03b1\u03c3\u03b7\u03bc\u03b1\u03bd\u03c4\u03b9\u03ba\u03ae\u03c2 \u03ba\u03b1\u03b9 \u03b1\u03c0\u03b5\u03c5\u03b8\u03cd\u03bd\u03b5\u03c4\u03b1\u03b9 \u03c3\u03b5 \u03c3\u03c0\u03bf\u03c5\u03b4\u03b1\u03c3\u03c4\u03ad\u03c2 \u03c4\u03b7\u03c2 \u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u03ae\u03c2 \u03c8\u03b1\u03bb\u03c4\u03b9\u03ba\u03ae\u03c2. This post includes Byzantine musical notation. It presents basic th\u00e9seis of the Second Mode and can be [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[304,79],"tags":[133,60,52,59,17,74,58,51,20],"class_list":["post-521","post","type-post","status-publish","format-standard","hentry","category-byzantine-music-greece","category-79","tag-bms","tag-byzantine-music-notation","tag-music-theory","tag-second-mode","tag-17","tag-byzantine-echoi","tag-58","tag-51","tag-20"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Second Mode: Basic Th\u00e9seis in Byzantine Musical Notation<\/title>\n<meta name=\"description\" content=\"Byzantine musical notation presenting basic th\u00e9seis of the Second Mode. Educational material for melodic variation in Byzantine chant.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.g-culture.org\/ioannis\/secmodeth\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0394\u03b5\u03cd\u03c4\u03b5\u03c1\u03bf\u03c2 \u03ae\u03c7\u03bf\u03c2: \u0398\u03ad\u03c3\u03b5\u03b9\u03c2\" \/>\n<meta property=\"og:description\" content=\"Byzantine musical notation presenting basic th\u00e9seis of the Second Mode. Educational material for melodic variation in Byzantine chant.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.g-culture.org\/ioannis\/secmodeth\/\" \/>\n<meta property=\"og:site_name\" content=\"Byzantine Music Electroacoustic Music Musicology Education\" \/>\n<meta property=\"article:published_time\" content=\"2013-12-04T18:54:19+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-18T19:46:46+00:00\" \/>\n<meta name=\"author\" content=\"Ioannis Spyrakis\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ioannis Spyrakis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.g-culture.org\\\/ioannis\\\/secmodeth\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.g-culture.org\\\/ioannis\\\/secmodeth\\\/\"},\"author\":{\"name\":\"Ioannis Spyrakis\",\"@id\":\"https:\\\/\\\/www.g-culture.org\\\/ioannis\\\/#\\\/schema\\\/person\\\/28cd62816d22f507030329991c22635f\"},\"headline\":\"\u0394\u03b5\u03cd\u03c4\u03b5\u03c1\u03bf\u03c2 \u03ae\u03c7\u03bf\u03c2: \u0398\u03ad\u03c3\u03b5\u03b9\u03c2\",\"datePublished\":\"2013-12-04T18:54:19+00:00\",\"dateModified\":\"2026-01-18T19:46:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.g-culture.org\\\/ioannis\\\/secmodeth\\\/\"},\"wordCount\":50,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.g-culture.org\\\/ioannis\\\/#organization\"},\"keywords\":[\"byzantine music\",\"byzantine music notation\",\"music theory\",\"second mode\",\"\u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u03ae \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\",\"\u03ae\u03c7\u03bf\u03b9 \u03b2\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u03ae\u03c2 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2\",\"\u03ae\u03c7\u03bf\u03c2 \u03b4\u03b5\u03cd\u03c4\u03b5\u03c1\u03bf\u03c2\",\"\u03b8\u03b5\u03c9\u03c1\u03af\u03b1 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2\",\"\u03c0\u03b1\u03c1\u03b1\u03c3\u03b7\u03bc\u03b1\u03bd\u03c4\u03b9\u03ba\u03ae\"],\"articleSection\":[\"Greek Byzantine Music\",\"\u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ac \u03ba\u03b5\u03af\u03bc\u03b5\u03bd\u03b1\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.g-culture.org\\\/ioannis\\\/secmodeth\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.g-culture.org\\\/ioannis\\\/secmodeth\\\/\",\"url\":\"https:\\\/\\\/www.g-culture.org\\\/ioannis\\\/secmodeth\\\/\",\"name\":\"Second Mode: Basic Th\u00e9seis in Byzantine Musical Notation\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.g-culture.org\\\/ioannis\\\/#website\"},\"datePublished\":\"2013-12-04T18:54:19+00:00\",\"dateModified\":\"2026-01-18T19:46:46+00:00\",\"description\":\"Byzantine musical notation presenting basic th\u00e9seis of the Second Mode. 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