An ambient electronic composition for bells in 19-EDO with gentle rhythmic patterns articulated through percussion.
Tag Archives: electronic music
Korg Bells
This electronic music composition was created using the Korg Modwave synthesizer, exploiting advanced wavetable synthesis, real-time modulation and evolving sound textures.
Part of the works of Ioannis Spyrakis
Ambient Music Video with Drift Synthesizer
This video presents an ambient sound design exploration using the Drift synthesizer in Ableton Live. The focus is on evolving textures, slow modulation and atmospheric timbre rather than instruction. Visual elements were created with CreateStudio to complement the sonic space.
Part of the works of Ioannis Spyrakis
Microtonality in 17‑EDO Using Sonic Pi Alternative Tuning Systems
Part of the works of Ioannis Spyrakis
Music and Physics
In contemporary practice, both music theory and musical practice are interpreted in terms of physical laws, which are formulated through mathematical relations. Within acoustics, the branch of physics concerned with sound and its properties, a musical interval is defined as the ratio of two frequencies. In cases where this ratio is simple, such as the perfect fifth (3/2), the perfect fourth (4/3), or the octave (2/1), interval comparison is straightforward. In contrast, when the ratio involves large integers due to the absence of a greatest common divisor, as in the case of the diesis (2048/2025), direct comparison becomes impractical.
A significant simplification in the representation and comparison of musical intervals is obtained through the use of a logarithmic formula:
size of a musical interval = k * log(f2 / f1) / log(2)
In this formula, f1 and f2 denote the frequencies of the pitches forming the interval, with f2 > f1. The constant k specifies the unit system adopted for interval measurement.
Analogue style
SoundScape
First Reaktor
Microtonality and Sonic Pi
Part of the works of Ioannis Spyrakis
